G66: Lost // Found
Recyling the forgotten and reclaiming the lost.
This collection brings together digital techniques and physical textures to create collage-based work. Each piece combines a range of disparate elements—including 3D models, hand sketches, graffiti, doodles, pixel graphics, and original photography.
Much of the photography used throughout the work was captured while travelling through Europe, with a heavy focus on street-level textures, signage, and architecture found around London. The aim is to blend digital assets with an analogue, tactile look, exploring the overlap between urban photography and graphic design.
Meguro
Year: 2018
Format: Print
Collection: G66: Lost + Found
Constructed from original travel photography taken on a trip to Tokyo, this monochrome collage layered composition explores the visual texture of the Japanese urban landscape. The design blends street signage details—including kanji for Meguro (目黒)—with directional arrows, industrial infrastructure, and sweeping ink brushes, rendered in a strict black-and-white palette.
Focusing on typography, signposting, and abstract spatial arrangements, the work captures quiet fragments of city transit and street-level geometry.
Paper: Ghost.001
Year: 2026
Paper: Ghost.002
Year: 2026
Paper: Ghost.002.1
Year: 2026
Paper: Ghost.002.2
Year: 2026
Paper: Ghost.002.3
Year: 2026
Paper: Ghost.002.4
Year: 2026
Paper: Notting Hill
Year: 2026
Format: Print
Collection: G66: Lost + Found
This piece contrasts classical sculpture with modern urban graphics, centering on a modified rendering of the Venus de Milo. The composition relies on high-contrast monochrome tones, framing the subject within a circular motif that breaks up the surrounding space.
Layered alongside the main figure are crossbone cutouts, skull iconography, and street-level graphics sourced from Notting Hill in London. By combining 3D geometry, graphic masks, and torn poster textures, the work examines the intersection of traditional form and contemporary street culture.
